Duke Ellington - Original Album Classics

Duke Ellington - Original Album Classics

Duke Ellington - Original Album Classics Songer: Duke Ellington
Title: Original Album Classics
ZIP size of MP3 version: 1580 mb.
ZIP size of FLAC version: 1902 mb.
Rating: 4.8/5
Votes: 489
Other formats: AU WMA MP2 DXD DTS DMF VOX
Label: Columbia ‎– 88697145502, Sony BMG Music Entertainment ‎– 88697145502, Legacy ‎– 88697145502
Series: Original Album Classics –
Type: 5 x CD, Album, Reissue Box Set, Compilation
Country: Europe
Date of released: 2007
Category: Jazz
Style: Big Band, Swing


Tracklist

Ellington Uptown
1-1 Skin Deep
1-2 The Mooche
1-3 Take The "A" Train
1-4 A Tone Parallel To Harlem (The Harlem Suite) (78rpm Version)
1-5 Perdido
1-6 Before My Time
1-7 Later
1-8 I Like The Sunrise
1-9 Dance No. 1
1-10 Dance No. 2
1-11 Dance No. 3
1-12 Dance No. 4
1-13 Dance No. 5
Such Sweet Thunder
2-1 Such Sweet Thunder
2-2 Sonnet For Caesar
2-3 Sonnet To Hank Cinq
2-4 Lady Mac
2-5 Sonnet In Search Of A Moor
2-6 The Telecasters
2-7 Up And Down, Up And Down (I Will Lead Them Up And Down)
2-8 Sonnet For Sister Kate
2-9 The Star-Crossed Lovers
2-10 Madness In Great Ones
2-11 Half The Fun
2-12 Circle Of Fourths
2-13 The Star-Crossed Lovers (AKA Pretty Girl) (Stereo LP Master)
2-14 Circle Of Fourths (Stereo LP Master)
2-15 Suburban Beauty (Master Take)
2-16 A Flat Minor (Preferred Take)
2-17 Cafe Au Lait (Preferred Take)
2-18 Half The Fun (AKA Lately) (Alternate Take)
2-19 Suburban Beauty (Alternate Take)
2-20 A Flat Minor (Outtakes)
2-21 Cafe Au Lait (Outtakes MONO)
2-22 Pretty Girl (AKA The Star-Crossed Lovers) (First Recording)
Black Brown And Beige
3-1 Part I
3-2 Part II
3-3 Part III (Light)
3-4 Part IV (Come Sunday)
3-5 Part V (Come Sunday)
3-6 Part VI (23rd Psalm)
3-7 Track 360 (AKA Trains) (Alternate Take)
3-8 Blues In Orbit (AKA Tender) (Alternate Take)
3-9 Part I (Alternate Take)
3-10 Part II (Alternate Take)
3-11 Part III (AKA Light) (Alternate Take)
3-12 Part IV (AKA Come Sunday) (Alternate Take)
3-13 Part V (AKA Come Sunday) (Alternate Take)
3-14 Part VI (23rd Psalm) (Alternate Take)
3-15 Studio Conversation
3-16 Come Sunday (From Black, Brown & Beige) (Accapella)
Anatomy Of A Murder
4-1 Main Title And Anatomy Of A Murder
4-2 Flitbird
4-3 Way Early Subtone
4-4 Hero To Zero
4-5 Low Key Lightly
4-6 Midnight Indigo
4-7 Almost Cried
4-8 Sunswept Sunday
4-9 Grace Valse
4-10 Happy Anatomy
4-11 Happy Anatomy (P.J. Five)
4-12 Haupe
4-13 Upper And Outest
4-14 Anatomy Of A Murder (Stereo Single)
4-15 Merrily Rolling Along (AKA Hero To Zero / Sunswept Sunday)
4-16 Beer Garden
4-17 Happy Anatomy (Band-Studio)
4-18 Plly (AKA Grace VAlse, Haupe, Low Key Lightly, Midnight Indigo)
4-19 Polly (Movie Strings)
4-20 Happy Anatomy (Dixieland)
4-21 More Blues (P.J. Five)
4-22 Almost Cried (Movie) (AKA Flirtbird)
4-23 Track Music: Anatomy Of A Murder (Duke Ellington A La Guy Lombardo)
4-24 Anatomy Of A Murder (Mono Single: In Stereo)
4-25 The Grand Finale (Rehearsal / Lines / Inteview / Music / Strings / Murder)
First Time! The Count Meets The Duke
5-1 Battle Royale
5-2 To You
5-3 Take The "A" Train
5-4 Corner Pocket AKA Until I Met You
5-5 Wild Man AKA Wild Man Moore
5-6 Segue In C
5-7 B D B
5-8 Jumpin' At The Woodside
5-9 One More Once
5-10 Take The "A" Train (The Count Departs) (Rehearsal & Alternate Takes)
5-11 Jumpin' At The Woodside (Alternate Take)
5-12 B D B (Alternate Take)
5-13 Blues In Hoss' Flat (Blues In Frankie's Flat)
5-14 Wild Man AKA Wild Man Moore (Alternate Take)
5-15 Battle Royale (Rehearsal & Alternate Takes)

Companies, etc.

  • Phonographic Copyright (p) – Sony BMG Music Entertainment
  • Copyright (c) – Sony BMG Music Entertainment
  • Manufactured By – Sony BMG Music Entertainment
  • Distributed By – Sony BMG Music Entertainment

Credits

  • Alto Saxophone – Bill Graham (tracks: 3-1 to 3-16), Johnny Hodges (tracks: 2-1 to 2-22, 4-1 to 4-25, 5-1 to 5-15), Russell Procope (tracks: 5-1 to 5-15)
  • Baritone Saxophone – Harry Carney (tracks: 2-1 to 2-22, 3-1 to 3-16, 5-1 to 5-15)
  • Bass – Aaron Bell (tracks: 5-1 to 5-15), Jimmy Woode (tracks: 2-1 to 2-22, 3-1 to 3-16, 4-1 to 4-25), Wendell Marshall (tracks: 1-1 to 1-13)
  • Clarinet – Jimmy Hamilton (tracks: 3-1 to 3-16, 4-1 to 4-25, 5-1 to 5-15)
  • Clarinet, Alto Saxophone, Reeds – Russell Procope (tracks: 2-1 to 2-22, 3-1 to 3-16)
  • Clarinet, Tenor Saxophone – Jimmy Hamilton (tracks: 2-1 to 2-22)
  • Drums – Jimmy Johnson (tracks: 4-1 to 4-25), Louis Bellson (tracks: 1-1 to 1-13), Sam Woodyard (tracks: 2-1 to 2-22, 3-1 to 3-16, 5-1 to 5-15)
  • Orchestrated By – Billy Strayhorn (tracks: 2-1 to 2-22)
  • Piano – Billy Strayhorn (tracks: 1-1 to 1-13), Count Basie (tracks: 5-1 to 5-15), Duke Ellington
  • Producer – Duke Ellington (tracks: 1-1 to 1-13), George Avakian (tracks: 1-1 to 1-13), Henri Renaud (tracks: 5-1 to 5-15), Irving Townsend (tracks: 2-1 to 2-22, 3-1 to 3-16, 4-1 to 4-25), Mercer Ellington (tracks: 1-1 to 1-13)
  • Reeds – Budd Johnson, Frank Foster (tracks: 5-1 to 5-15), Harry Carney (tracks: 4-1 to 4-25), Jimmy Hamilton (tracks: 4-1 to 4-25), Johnny Hodges (tracks: 4-1 to 4-25), Marshall Royal (tracks: 5-1 to 5-15), Paul Gonsalves (tracks: 4-1 to 4-25), Russell Procope (tracks: 4-1 to 4-25)
  • Saxophone – Harry Carney (tracks: 1-1 to 1-13), Hilton Jefferson (tracks: 1-1 to 1-13), Jimmy Hamilton (tracks: 1-1 to 1-13), Paul Gonsalves (tracks: 1-1 to 1-13), Russell Procope (tracks: 1-1 to 1-13)
  • Tenor Saxophone – Paul Gonsalves (tracks: 2-1 to 2-22, 4-1 to 4-25, 5-1 to 5-15)
  • Trombone – Benny Powell (tracks: 5-1 to 5-15), Britt Woodman (tracks: 1-1 to 1-13, 2-1 to 2-22, 3-1 to 3-16, 4-1 to 4-25), Henry Coker (tracks: 5-1 to 5-15), John Sanders (tracks: 2-1 to 2-22, 3-1 to 3-16, 4-1 to 4-25), Juan Tizol (tracks: 1-1 to 1-13, 5-1 to 5-15), Lawrence Brown (tracks: 5-1 to 5-15), Louis Blackburn* (tracks: 5-1 to 5-15), Quentin Jackson (tracks: 1-1 to 1-13, 2-1 to 2-22, 3-1 to 3-16, 4-1 to 4-25, 5-1 to 5-15)
  • Trumpet – Fats Ford* (tracks: 5-1 to 5-15), Cat Anderson (tracks: 2-1 to 2-22, 3-1 to 3-16, 4-1 to 4-25, 5-1 to 5-15), Clark Terry (tracks: 1-1 to 1-13, 2-1 to 2-22, 3-1 to 3-16, 4-1 to 4-25), Ed Mullens (tracks: 5-1 to 5-15), Gerald Wilson (tracks: 4-1 to 4-25), Shorty Baker* (tracks: 3-1 to 3-16, 4-1 to 4-25), Lennie Johnson (tracks: 5-1 to 5-15), Ray Nance (tracks: 1-1 to 1-13, 2-1 to 2-22, 3-1 to 3-16, 4-1 to 4-25), Snooky Young (tracks: 5-1 to 5-15), Sonny Cohn (tracks: 5-1 to 5-15), Thad Jones (tracks: 5-1 to 5-15), Willie Cook (tracks: 1-1 to 1-13, 2-1 to 2-22, 5-1 to 5-15)
  • Trumpet, Violin – Ray Nance (tracks: 5-1 to 5-15)
  • Vocals – Mahalia Jackson (tracks: 3-1 to 3-16)

Notes

CD's come in vinyl replica cardsleeves housed in a cardboard case.

Tracks 1-4, 1-6 to 1-13; 2-13 to 2-22; 3-7 to 3-16, 4-14 to 4-25 and 5-9 to 5-15 are bonus tracks that do not appear on the original albums.

© 2007 Sony BMG Music Entertainment / Originally released 1953, 1957, 1958, 1959, 1962 / ℗ 2007 Sony BMG Music Entertainment / Manufactured and Distributed by Sony BMG Music Entertainment
Made in the EU./LC02361

Barcode and Other Identifiers

  • Barcode: 8 8697-14550-2 1
  • Matrix / Runout (Such Sweet Thunder): SONY DADC A0100864011-0101 11
  • Mastering SID Code (Such Sweet Thunder): IFPI L551
  • Mould SID Code (Such Sweet Thunder): IFPI 94Z5
  • Matrix / Runout (First Time!): SONY DADC A0100864020-0101 14 A0
  • Mastering SID Code (First Time!): IFPI L554
  • Mould SID Code (First Time!): IFPI 94W5
  • Matrix / Runout (HI FI Ellington Uptown): SONY DADC A0100876434-0101 14 A1
  • Mastering SID Code (HI FI Ellington Uptown): IFPI L554
  • Mould SID Code (HI FI Ellington Uptown): IFPI 94Z5
  • Barcode (Black, Brown And Beige): SONY DADC A0100876427-0101 11 A0
  • Barcode (Black, Brown And Beige): IFPI L551
  • Barcode (Black, Brown And Beige): IFPI 94Y4
  • Matrix / Runout (Anatomy Of A Murder): SONY DADC A0100864018-0101 11 A0
  • Mastering SID Code (Anatomy Of A Murder): IFPI L551
  • Mould SID Code (Anatomy Of A Murder): IFPI 94Y8
  • Label Code: LC 02361
  • Rights Society: BIEM GEMA